In my misspent youth I collected comics. (As a sign of advancing maturity I got rid of them when I was 13. If I had saved such treasures as my beloved Spider-Man #2 I could have a tidy sum now!). Perhaps my favorite comic book was the initial run of Spider-Man drawn by artist Steve Ditko. Spider-Man became a crime fighter due to his beloved Uncle Ben, his foster father, being slain by a burglar that Spider-Man could have apprehended but did not due to his having been too self-absorbed to help a cop chasing the burglar. I always thought Spider-Man had a powerful motivation as his lack of action, his sin of omission, led to the death of Uncle Ben, and as I was taught early by the nuns, a sin always requires reparation, and Spider-Man’s reparation was to fight crime, a theme that was constantly remarked upon in the comic.
I identified with Spider-Man. Spider-Man was a bookish teenager lacking social skills suddenly vested with great powers. He was also broke and his travails over money had a ring of familiarity to me. My favorite Spider-Man story of the Ditko era was a trilogy in which he was suffering from the flu and had to stop the bad guys and somehow get the serum necessary to save the life of his Aunt May who was seriously ill. It sounds silly in that bare bones summary of the plot, but the story arc emphasized some good lessons for a growing boy: courage against the odds, fighting for those you love and that superpowers do not make the hero since Spider-Man lost much of his as a result of the flu, and was even more heroic as a result.
Steve Ditko, the legendary artist who drew Spider-Man, has passed away at age 90. In a field dominated by Leftists, Ditko was a follower of Ayn Rand. He had a very distinctive style, go here to see samples of his work. His stark drawings were a reflection of how Ditko looked at the world. Good and Evil were realities to him, and not merely differing shades of gray. In 2004 Ditko wrote about another of his comic book heroes, Mr. A:
“Mr. A stands for a rational, objective philosophy of positive, pro-life premises and values. That is symbolized by his white and black card. A is A, no graying, no contradictions: Reality is an absolute, man is a rational being, reason (logic) is man’s only means to knowledge, man’s life is the standard of value, the good is that which supports a rational life, man must act on objective, rational virtues of integrity, independence, honesty, etc. The moral man is the man who leads a productive life, at his best in thought and action. …. Mr. A’s values are the highest values, the best values, for a man to live by if he wants the best life has to offer.”
A rather reclusive figure, as far as is known Ditko never married and had no children. He politely declined requests for formal interviews, although anyone who wanted to could stop by his Manhattan studio and talk to him if he had the time. Somewhat of a restless figure, not always easy to work with, he was employed by many comic book companies during his career. Ditko went his own way during his life, rarely willing to temper his art to suit his employers. May he enjoy in the next life the peace and joy that his characters strove for.